HR job title
- Professor
- Contact Info
- 1 979 845 2125
Misemer, Sarah Associate Professor
Positions
- Associate Professor, Hispanic Studies, College of Liberal Arts
- Overview
- Publications
- Teaching
- Background
- Contact
- Other
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Overview
Publications
selected publications
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academic article
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Misemer, S. M.
(2016).
Service Learning: Staging Hispanic Theatre for Bilingual Elementary Students. 50(1), 147-+.
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Misemer, S. M.
(2016).
Evita, Inevitably: Performing Argentina's Female Icons Before and After Eva Pern by Jean Graham-Jones (review). Latin American Theatre Review. 49(2), 311-313.
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Misemer, S. M.
(2013).
Tragedy and Trauma: Antigone oriental de Marianella Morena. 30(3), 125-142.
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Misemer, S. M.
(2013).
Traumatic Spectacles: Recent Latin American Drama and Performance. South Central Review.
30(3), 1-4.
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Misemer, S. M.
(2012).
Ericka Fischer-Lichte and Benjamin Wihstutz, Eds. Performance and the Politics of Space: Theatre and Topology. 10(2),
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Misemer, S. M.
(2011).
To Kiss and Tell: Lust, Consumption, and Place in Morenas Don Juan: el lugar del beso. 37(1), 139-153.
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Misemer, S. M.
(2011).
Werth, Brenda. Theatre. Performance, and Memory Politics in Argentina. Latin American Theatre Review.
45(1), 222-223.
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Misemer, S. M.
(2010).
Paredez, Deborah. Selenidad: Selena, Latinos, and the Performance of Memory. 3, 191-192.
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Misemer, S. M.
(2010).
VAMPING THE ARGENTINE FAMILY: SEX AND INTERTEXTS IN GAMBARO'S NOSFERATU. Chasqui: Revista de Literatura Latinoamericana.
39(2), 154-170.
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Misemer, S. M.
(2009).
Pedagogia de la Participacion: Entering Elena Garro's Un hogar solido through the Body. Enacting Death and Politics in Mexico. Hispania.
92(4), 762-773.
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Misemer, S. M.
(2009).
Hotel Juarez: Dramaturgy of femicide. Latin American Theatre Review.
43(1), 218-219.
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Misemer, S. M.
(2009).
Mijares, Enrique, ed. Hotel Jurez: Dramaturgia de feminicidios. Latin American Theatre Review.
43(1), 218-219.
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Misemer, S. M.
(2008).
Andr, Mara Claudia. Seven Plays by Argentine Playwright Susana Torres Molina (Strange Toy, Thats All That, Mystic Union, Sirens Song, Paradises Lost, Zero, and She). Latin American Theatre Review.
41(2), 167-168.
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Misemer, S. M.
(2008).
No ordinary Garden Party: Lorcas Tragically Cursi Perlimpln and Belisa. 20(2-3), 425-441.
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Misemer, S. M.
(2008).
Seven plays by Argentine playwright Susana Torres Molina. Latin American Theatre Review.
41(2), 167-168.
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Misemer, S. M.
(2008).
Tracks to Modernity: Reconstructing the Present in Roberto Cossa's El Sur y despues. Revista Hispánica Moderna.
61(2), 167-182.
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Misemer, S. M.
(2008).
Tragedias tradicionales e historias de un nuevo ordn global: Groenlandia de Gabriel Peveroni. 46, 65-84.
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Misemer, S. M.
(2008).
Gabriel Peveroni's 'Luna Roja': Eclipsing and recycling information and meaning on the stage. 61(4), 278-290.
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Misemer, S. M.
(2007).
Still in crisis? Gabriel Peveroni's El Hueco (una tribu urbana). Revista Canadiense de Estudios Hispanos.
31(3), 455-472.
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Misemer, S. M.
(2007).
Dictionary of Argentinian theatrical authors (1950-2000). Latin American Theatre Review.
40(2), 193-194.
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Misemer, S. M.
(2007).
Zayas de Lima, Perla. Diccionario de autores teatrales argentinos (1950-2000) Vol. I and II. Latin American Theatre Review.
40(2), 193-194.
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Misemer, S. M.
(2006).
Continuity, transformation and change: The grotesque Creole of Armando Discepolo. Latin American Theatre Review.
39(2), 209-211.
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Misemer, S. M.
(2006).
S-E-X-Oh!: A Performance by El Teatro Luna. Latin American Theatre Review.
40(1), 208-209.
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Misemer, S. M.
(2006).
Sanhueza-Carvajal, Mara Teresa. Continuidad, transformacin y cambio: El grotesco criollo de Armando Discpolo. Latin American Theatre Review.
39(2), 209-211.
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Misemer, S. M.
(2005).
Bridging the gaps in cultural memory: Carlos Gorostiza's El 'puente', and Gabriel Peveroni's 'Sarajevo Esquina Montevideo (El puente)'. Latin American Theatre Review.
39(1), 29-+.
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Misemer, S. M.
(2004).
de Toro, Alfonso, ed. Estrategias postmodernas y postcoloniales en el teatro latinoamericano actual. Hibridez, medialidad, cuerpo. 6, 378-378.
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Misemer, S. M.
(2003).
Cataleptic Cacophony: in Coco Fuscos The Incredible Disappearing Woman. 36, 73-89.
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Misemer, S. M.
(2002).
Corpa Vargas, Mirta. Eva Pern en el cristal de la escritura: Mabel Pagano, personaje literario y postrauma. Chasqui.
31(2), 124-126.
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Misemer, S. M.
(2002).
Pellettieri, Osvaldo, ed. Indagaciones sobre el fin de siglo. Latin American Theatre Review.
35(2), 161-162.
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Misemer, S. M.
(2001).
Teatro y el teatro de la palabra: el caso de Miguel N. Lira. 3(2), 71-81.
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Misemer, S. M.
(2016).
Service Learning: Staging Hispanic Theatre for Bilingual Elementary Students. 50(1), 147-+.
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book
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Misemer, S. M.
(2017).
Theatrical Topographies Spatial Crises in Uruguayan Theater Post-2001. Bucknell University Press.
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Golsan, R. J., & Misemer, S. M.
(2017).
Introduction: Arendt in Jerusalem: The Eichmann trial, the banality of evil, and the meaning of justice fifty years on
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Golsan, R. J., & Misemer, S. M.
(2017).
The trial that never ends: Hannah Arendt's 'Eichmann in Jerusalelm' in retrospect
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Misemer, S. M.
(2010).
Moving Forward, Looking Back Trains, Literature, and the Arts in the River Plate. Bucknell University Press.
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Misemer, S. M.
(2008).
Secular Saints Performing Frida Kahlo, Carlos Gardel, Eva Pern, and Selena. Tamesis Books.
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Misemer, S. M.
(2017).
Theatrical Topographies Spatial Crises in Uruguayan Theater Post-2001. Bucknell University Press.
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chapter
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Misemer, S. M.
(2013).
STAGES OF TRANSIT: RASCON BANDA'S HOTEL JUAREZ AND PEVERONI'S BERLIN. Becker, F. N., Hernández, P. S., & Werth, B. (Eds.),
IMAGINING HUMAN RIGHTS IN TWENTY-FIRST-CENTURY THEATER: GLOBAL PERSPECTIVES.
(pp. 137-153).
Palgrave Macmillan US.
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Misemer, S. M.
(2012).
El dolor como performance de violencia y coercion : tiranos y huerfanos chilenos en Orfandad, de Marco Espinoza Quezada. Seda, L. (Eds.),
Teatro contra el olvido.
(pp. 57-69).
Universidad Cientfica del Sur.
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Misemer, S. M.
(2009).
Transgressing spaces: within, without, and beyond the stage and Uruguay in Gabriel Peveroni's theater. Bixler, J., & Seda, L. (Eds.),
Trans/acting Latin American and Latino Performing Arts.
(pp. 38-71).
Bucknell University Press.
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Misemer, S. M.
(2013).
STAGES OF TRANSIT: RASCON BANDA'S HOTEL JUAREZ AND PEVERONI'S BERLIN. Becker, F. N., Hernández, P. S., & Werth, B. (Eds.),
IMAGINING HUMAN RIGHTS IN TWENTY-FIRST-CENTURY THEATER: GLOBAL PERSPECTIVES.
(pp. 137-153).
Palgrave Macmillan US.
Teaching
teaching activities
- HISP664 Sem In Hispanic Theater Instructor
- HISP685 Directed Studies Instructor
- HISP691 Research Instructor
- HISP691 Research:in-ab Instructor
- SPAN202 Intermediate Span Ii Instructor
- SPAN301 Oral Expression Instructor
- SPAN303 Hnr-comp & Conversation Instructor
- SPAN310 Hnr:oral Expression Instructor
- SPAN320 Hnr-intro To Hispanic Lit Instructor
- SPAN450 Cont Sp & Sp Am Lit Instructor
- SPAN460 Topics In Hispanic Lit Instructor
- TAMU499 Ug Research Experience Instructor
- UGST405 Thesis Writing Instructor
Background
education and training
- Ph.D. in Spanish, University of Kansas - (Lawrence, Kansas, United States) 2001
- M.A. in Spanish, University of Kansas - (Lawrence, Kansas, United States) 1997
- B.A. in Spanish & Political Science, University of Kansas - (Lawrence, Kansas, United States) 1994
Contact
first name
- Sarah
has last name
- Misemer
mailing address
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Texas A&M University
Honors Program
4233 TAMU
College Station, TX 77843-4233
USA
Other
In the News
- smisemer@tamu.edu