In this thesis two computational approaches for creating Chinese painting are developed. The first approach uses an expressive paint tool that enables anyone to paint 2D Chinese paintings in real-time. The realistic rendering of paint strokes is achieved by creating a software model that mimics real ink and brushes. The input devices are a pressure-sensitive pen and tablet. This interface design is similar to painting with a real brush on paper. The second approach uses procedural shaders and commercially available 3D modeling and animation packages to create the look of ink on paper. This approach facilitates the efficient production of 3D Chinese painting animations as well as the ability to create stereoscopic Chinese paintings.
